This recording enabled Antonio to introduce talented and generous harpist Marcia Dickstein Vogler and flutist Anastasia Petanova, for the performances of Villa Lobos’ Black Swan for harp and cello which opens this album, as well as Jet Whistle for flute and cello.  Yarlung also had the privilege of working with Coco Trivisonno on the album, one of the last living members of Piazzolla’s intrepid ensemble, one of the titans who transformed Argentine music.  As is standard on Yarlung albums, Antonio’s performances with Marcia, Anastasia and Coco are all single takes. 

Along with pianist Martha Argerich, Antonio’s father the violinist Alberto Lysy remains one of South America’s most celebrated classical concert musicians.  Alberto had the privilege of learning this work with the composer in advance of a performance with Gaspar Cassadó in 1958.  Later, Antonio and Alberto became major performers of the work.

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