The songs included on this album were recorded at Stereo Pure DSD 256 and Pure DSD 128 and each album was delivered to us from the original edit master without any PCM processing. This album is available in Stereo DSD 512, DSD 256, DSD 128 and DSD 64 thanks to our Higher Rates Program.

We classify Pure DSD albums as ‘recordings where mixing and balancing are performed in the Analog or DSD domain prior to digitizing. With no post-processing in PCM.’ We obtain the DSD master files directly from the labels, and present them to you exactly as they listened to them in their final mastering session.

We thank the recording artists, producers, recording engineers, mastering engineers and of course Hunnia Records for producing music in the DSD domain without PCM processing.

Gabor Varga Jazz Trio (Track 1)
Balázs Rodek & Jazz Quartet (Track 2)
Szakcsi Jr. Trio (Track 3)
Csaba Pengo (Track 4)
Bartha Arnedo Quartet (Track 5)
Arpad Dennert, Bela Szaloky, Eszter Lukács, Istvan Gyarfas & Marton Soos (Track 6)
Gábor Szalay Trio (Track 7)
Bori Magyar (Track 8)
David Yengibarian Trio, Eva Alekszandrovna & Vasilis Klapakis (Track 9)
Mate Drippey & Mate Szabo (Track 10)
Gabor Varga Jazz Quartet, Gabriel Farkas & Helga Riedl (Track 11)
Gábor Csordás, Sándor Tóth, Tamás Hidász & Vince Bartók (Track 12)
Gabor Horváth Trio (Track 13)

The post Pure DSD Recordings, Vol. 2: The Hunnia Records Edition [Pure DSD] appeared first on NativeDSD Music.

In making music, I pursue the kind of freedom that helps me to share my life experiences with the technical abilities at my disposal and to honestly convey my thoughts at the given moment. I believe I was in this state of mind on the day of the recording. For me, the memory of the joint and spontaneous playing of the day remains a defining experience. Máté and I met at the Liszt Academy’s Jazz Department. Since then, we have been playing and rehearsing together. I hope that while listening to the album the dear listeners will also experience what we shared in the studio.
— Máté Drippey

On the morning of the recording, we arrived in the studio with an agreed-upon repertoire and concept, but after an hour, little happened apart from the mere sounds and rhythms. We found ourselves in a void due to exhaustion brought on by increased attention. We wanted to embrace the rules. When we heard the silence in solitude, the same sound came to both of us. We began with familiar themes, then we left the usual boundaries and tear from the shore. We let our own sound and music unfold.
— Máté Szabó

Máté Drippey – Saxophone
Máté Szabó – Grand Piano

The post Tear From The Shore [Pure DSD] appeared first on NativeDSD Music.