It is possible that they either co-created this genre, or even that Fanny could have been the creator of the genre traditionally ascribed exclusively to Felix. This music, although wordless, is bursting with poetry and well-suited to the Conrad Graf piano from 1836 that Pashchenko chose for this recording.
The Graf piano, a brand favoured by Felix, has a recitative-like quality that Pashchenko uses to perfectly articulate the poetry inherent in these Lieder ohne Worte or as Fanny called them, Lieder für das Pianoforte.

Olga Pashchenko – piano 

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