Lowry Archives - NativeDSD Music https://www.nativedsd.com/composer/lowry/ Highest DSD Resolution Audio Downloads (up to DSD 1024) Thu, 27 Mar 2025 15:48:07 +0000 en-US hourly 1 https://media.nativedsd.com/storage/nativedsd.com/wp-content/uploads/2020/07/13144547/cropped-favicon-32x32.png Lowry Archives - NativeDSD Music https://www.nativedsd.com/composer/lowry/ 32 32 175205050 Joy and Sorrow https://www.nativedsd.com/product/813543022183-joy-and-sorrow/ https://www.nativedsd.com/product/813543022183-joy-and-sorrow/#respond Fri, 07 Oct 2016 00:00:00 +0000 https://development.nativedsd.com/product/joy-and-sorrow/ Is this the line between folk and spiritual song? Between hymn to Christ’s bride and the earthly love song? The border is not straight and clear, but on both sides lies a treasure of music and lyrics that we must have to stay alive – in our day and future , as an inheritance . […]

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Is this the line between folk and spiritual song? Between hymn to Christ’s bride and the earthly love song? The border is not straight and clear, but on both sides lies a treasure of music and lyrics that we must have to stay alive – in our day and future , as an inheritance . . . Leif Strand and the musicians on this record, offer a kind of continuation of the sorrow and the joy.

Leif Strand Chamber Choir began in 1965; the first concert together with jazz musicians was held at Hönsten 1967 with, among others, Jan Johansson, Arne Domnérus, Rune Gustafsson, Georg Riedel. Since the choir – in connection with Arne Domnérus sextet – made a couple hundred concerts, numerous radio and television appearances and five published LPs.

On this album, the Leif Stand Choir from Sweden join with Jazz greats Georg Riedel, Arne Domnérus, Egil Johansen and Bengt Hallberg – best known for their work on the classic Jazz At The Pawnshop. Joy and Sorrow features the choir and musicians performing traditional, chorale and spiritual music.

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1865- Songs of Hope and Home from the American Civil War https://www.nativedsd.com/product/1865-songs-of-hope-and-home-from-the-american-civil-war/ https://www.nativedsd.com/product/1865-songs-of-hope-and-home-from-the-american-civil-war/#respond Fri, 27 Mar 2015 00:00:00 +0000 https://development.nativedsd.com/product/1865-songs-of-hope-and-home-from-the-american-civil-war/ 1865 focuses on the personal experience of men, women, and children from the North and from the South, toward the end of the Civil War and in its immediate aftermath – as told in songs originally written for the stage and for the parlor, and in songs and instrumental tunes from the hills and back roads of America. Many of […]

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1865 focuses on the personal experience of men, women, and children from the North and from the South, toward the end of the Civil War and in its immediate aftermath – as told in songs originally written for the stage and for the parlor, and in songs and instrumental tunes from the hills and back roads of America. Many of the songs in 1865 were published between 1861 and 1865; others first appeared in print earlier, but were sung constantly during the terrible war years, perhaps in an effort to bring to mind the familiar and the good. Yet other songs and instrumental tunes are not datable; by the year 1865, they had already been passed down from generation to generation without the aid of the printed page. Whatever their origins or history or musical style, these songs are the stylized, versified “stories” prized by millions of Americans who lived through “This Cruel War.” They describe the cause and the call to fight; the agony of separation of lovers or of mothers and sons; the hopes, fears, and sacrifices of those who remained at home during the long wait for news of loved ones; the experiences of the soldiers themselves – especially their desperate longing for home and family; homecoming for those who survived; grief for those who did not; and the hope for reconciliation amidst a troubled peace

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Gloryland https://www.nativedsd.com/product/gloryland/ https://www.nativedsd.com/product/gloryland/#respond Sun, 15 Jun 2014 00:00:00 +0000 https://development.nativedsd.com/product/gloryland/ With this recording, the members of Anonymous 4 celebrate our long journey together. We are honored to be able to share this latest voyage with our new friends, Darol Anger and Mike Marshall, whose travels together began even longer ago than ours did. The tunes on Gloryland are filled with imagery of the journey, of birds and […]

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With this recording, the members of Anonymous 4 celebrate our long journey together. We are honored to be able to share this latest voyage with our new friends, Darol Anger and Mike Marshall, whose travels together began even longer ago than ours did.

The tunes on Gloryland are filled with imagery of the journey, of birds and flying, of reaching and crossing over the Jordan River. Their narrators equate the soul with Noah’s weary dove, who soars the earth seeking a resting place; they wish for wings, to be a tiny swallow, to fly to the next world on eagles’ wings; or they yearn to gather with loved ones at the river and to find green pastures beyond the banks of that shining shore.

Most of these songs have themselves been traveling for a very long time, in a wonderful intertwining of oral and written traditions that have flourished for many generations. Which of them were newly composed and which were taken down from someone’s singing or playing and then arranged cannot always be determined, but songs like Ecstasy and Saint’s Delight sound equally at home whether sung in their shape-note settings or played on the fiddle, guitar, and mandolin.

The elements of Anglo-American song take part in an endless game of mix and match: dance airs are set to sacred words; worldly and spiritual texts share the same musical notes; and hymns that we associate with certain much-loved tunes can also be sung to other melodies. The tune most commonly known as Wayfaring Stranger occurs several times: it appears first with the religious ballad text, “I am a poor wayfaring stranger,” again in the lyric folk song You Fair and Pretty Ladies, in the haunting folk hymn Parting Friends, and finally in a bluesy instrumental rendition.

Meanwhile, gospel song composer Robert Lowry’s familiar text “Shall We Gather At The River?” (which we sang to Lowry’s famous gospel tune Shall We Gather at the River, on American Angels) has migrated to the Southern hymn tune Palmetto; and John Newton’s poem “Savior, Visit Thy Plantation” has attached itself to two different tunes: Return Again and Merrick. To further complicate matters in the most wonderful way, the melody of Return Again is a variant of the American Angels tune Invitation.

Anonymous 4
Darol Anger – Violin, Baritone Violin, Octave Mandolin, Mandolin
Mike Marshall – Guitar, Mandolin, Mandocello

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