Whitney Balliett, one of America’s most distinguished jazz writers, produced a fine appreciation of Teddy Wilson in one of his New York Times columns in 1972 when he wrote: “Teddy Wilson is a marvel and we must not take him for granted”. He went on to describe Wilson’s “feathery arpeggios, the easy, floating left hand, the impeccable rhythmic sense, the intense clusters of notes that believe the cool mask he wear when he plays”.

All the prodigious pianistic artistry of Teddy Wilson is in evidence on this album which features the pianist with two excellent rhythm sections. The 1968 sides, originally released on Storyville SLP 1005, were produced by Timme Rosenkranz. They team Wilson with Denmark’s most famous jazz export, Niels Henning Ørsted Pedersen and his very accomplished compatriot, Bjarne Rostvold.Throughout Wilson gives generous solo space to his colleagues and they make the most of it. NHOP needs no recommendation, but Lundgaard is also extremely impres- sive. He has good time and intonation and is an inventive and harmonically accurate soloist.
The other six sides were recorded 12 years later, Wilson’s backing on this occasion being supplied by Ed Thigpen – an “adopted” Dane of more than ten years’ stan- ding – and (Where do they find them?) yet another superb Danish bassist, Jesper Lundgaard, who has worked with Dexter Gordon, Tommy Flanagan,Warne Marsh, Jimmy Raney and Benny Carter, among other.