In 1984 I saw him for the first time. I had just discovered the bandoneon. With his right hand he was playing a virtuoso piece, with his left hand, at the same time, he very calmly straightened his glasses. It was marvellous, the audience was in stitches. It was one of the most important tango concerts that I have ever seen. The ease, the humour with which he played on his instrument, and with such virtuosity. As soon as Carel Kraayenhof begins to speak about his master, Alfredo Marcucci, its hard to stop him. After the Dutch bandoneon player had
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