The title Sonatae tam aris quam aulis servientes suggests that these works can be used for both sacred and secular purposes. They represent the first of several collections of pieces for polyphonic instrumental ensembles (published in 1676, 1680 and 1682) in which Biber demonstrated his mastery in handling the most important forms of instrumental music of his time. In the turmoil of the Second World War, nearly all the original partbooks of the 1676 collection were lost. Currently, only the original prints of the pars secunda (second violin), pars terza (first viola) and pars sexta (third/fourth viola) are known to have survived: they are housed in the Archepiscopal Library Krom??íž. Fortunately, the editors of Denkmäler der Tonkunst in Österreich had already produced a score around 1900, following scholarly criteria, from the then fully preserved partbooks. Comparisons to the surviving original parts demonstrate the accuracy of that edition.
Tracklist
Please note that the below previews are loaded as 44.1 kHz / 16 bit.Total time: 01:09:00
Additional information
Label | |
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SKU | CC72676 |
Qualities | |
Channels | 2ch Stereo, 5 Channel Surround Sound, 2ch Stereo & 5ch Surround |
Artists | |
Composers | |
Genres | |
Cables | Siltech |
Digital Converters | dCS |
Mastering Engineer | Bert van der Wolf |
Mastering Equipment | Avalon Acoustic |
Microphones | Sonodore |
Instruments | |
Original Recording Format | |
Producer | Bert van der Wolf |
Recording Engineer | Bert van der Wolf |
Recording location | Altomonte saal, Stift St. Florian (AT) |
Recording Software | Merging |
Recording Type & Bit Rate | DSD64 |
Release Date | January 22, 2016 |
Press reviews
Positive Feedback
I have long enjoyed the music of Biber, but I don’t recall ever hearing it so elegantly and expansively performed as by Ars Antiqua Austria. They seem to simply glory in these compositions, delivering rhythmically alive, dynamic performances with a complex interplay of instruments and sounds. I am thrilled to hear them, and I suspect Biber would have been as well. I place the Sonatae Tam Aris Quam Aulis Dervientes (1676) first in my listing, because if you are going to sample only one recording of Biber’s music as played by Ars Antiqua Austria, I highly recommend you start with this album.
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