Violinist Lisa Jacobs has been one of the most popular artists on the Cobra Records label. Her three albums in DSD Stereo, DSD Multichannel and DSD Binaural (for headphone listeners) have repeatedly appeared on our NativeDSD Best Sellers chart.
Now, NativeDSD and Cobra Records team up to bring you a special deal – and a specially priced bundle of all three of her fine Cobra Records DSD recordings. Don’t miss this chance to enhance your Classical Music collection with our newest DSD bundle.
Additional information
| Label | |
|---|---|
| Artists | |
| Genres | |
| Release Date | January 13, 2021 |
24 Caprices of Nicolo Paganini
| Label | |
|---|---|
| SKU | COBRA0064 |
| Qualities | DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, FLAC 192 kHz, FLAC 96 kHz |
| Channels | 2ch Stereo, 2ch Binaural, 5 Channel Surround Sound, 2ch Stereo & 2ch Binaural, 2ch Stereo & 5ch Surround, 2ch Stereo & 5ch Surround & 2ch Binaural |
| Artists | |
| Composers | |
| Genres | |
| Microphone Cables & Interlinks | Acoustic Revive |
| Microphones | Bruel & Kjaer 4003, Neumann modified by Rens Heijnis |
| Notes | The recording was originally digitized using the dCS 904, which operated at DSD64. The original session tracks were edited and rebalanced (which meant going through the mixer) in the only available format for that purpose; the Pyramix 352.8KHz/24bit PCM (DXD). Prior to the advent of direct digital delivery, the next step in the production process from 352.8KHz/24bit PCM would be the DSD64 edited master for SACD production. What we have done now is also make a direct conversion to DSD128 and DSD256 from that original DXD edited master, without going through any interim processing steps. Those DXD to DSD conversions are not up-samplings, as they would be going from one PCM sampling rate to another, for they are different encoding systems. PCM is a digital value sample based system, and DSD is a digital bit density modulated system. Conversion from any PCM sample rate to any DSD bit rate system is a remodulation, not an up-sampling. We feel there is an audio advantage to this process in using the original files so we give you the choice and you can decide. |
| Instruments | |
| Original Recording Format | |
| Producer | Tom Peeters |
| Recording Engineer | Tom Peeters |
| Recording location | Cunerakerk, Rhenen, The Netherlands in 2017 and 2018 |
| Release Date | June 1, 2018 |
Haydn Violin Concertos
| Label | |
|---|---|
| SKU | COBRA0061 |
| Qualities | DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, FLAC 192 kHz, FLAC 96 kHz |
| Channels | 2ch Stereo, 2ch Binaural, 5 Channel Surround Sound, 2ch Stereo & 2ch Binaural, 2ch Stereo & 5ch Surround, 2ch Stereo & 5ch Surround & 2ch Binaural |
| Artists | |
| Composers | |
| Genres | |
| Cables | Acoustic Revive |
| Digital Converters | dCS904 |
| Editing Software | Pyramix |
| Mastering Engineer | Tom Peeters |
| Microphones | Bruel & Kyaer |
| Mixing Board | Rens Heijnis |
| Notes | The recording was originally digitized using the dCS 904, which operated at DSD64. The original session tracks were edited and rebalanced (which meant going through the mixer) in the only available format for that purpose; the Pyramix 352.8KHz/24bit PCM (DXD). Prior to the advent of direct digital delivery, the next step in the production process from 352.8KHz/24bit PCM would be the DSD64 edited master for SACD production. What we have done now is also make a direct conversion to DSD128 and DSD256 from that original DXD edited master, without going through any interim processing steps. Those DXD to DSD conversions are not up-samplings, as they would be going from one PCM sampling rate to another, for they are different encoding systems. PCM is a digital value sample based system, and DSD is a digital bit density modulated system. Conversion from any PCM sample rate to any DSD bit rate system is a remodulation, not an up-sampling. We feel there is an audio advantage to this process in using the original files so we give you the choice and you can decide. |
| Instruments | |
| Original Recording Format | |
| Producer | Tom Peeters |
| Recording dates: | April 19 & 21, 2017 |
| Recording Engineer | Tom Peeters |
| Recording location | Cunerakerk, Rhenen, The Netherlands |
| Recording Software | Merging |
| Recording Type & Bit Rate | DSD64fs |
| Release Date | September 1, 2017 |
Locatelli Violin Concertos
| Label | |
|---|---|
| SKU | COBRA0054 |
| Qualities | DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, FLAC 192 kHz, FLAC 96 kHz |
| Channels | 2ch Stereo, 2ch Binaural, 5 Channel Surround Sound, 2ch Stereo & 2ch Binaural, 2ch Stereo & 5ch Surround, 2ch Stereo & 5ch Surround & 2ch Binaural |
| Artists | |
| Composers | |
| Genres | |
| Binaural | For this album we chose to record in Binaural as well. This is a perfect solution for headphone users. The recordings are made with the dummy head of Neuman, the KU-100. On a headphone this gives a surprisingly realistic image and it gives you the feeling of being at the session. This idea to develop an extra Binaural catalogue in DSD is initiated and supported by Rivasono in The Netherlands. |
| Digital Converters | dCS 904 and dCS954 |
| Editing Software | Pyramix |
| Microphones | B&K4003 |
| Mixing Board | Rens Heijnis |
| Awards | classic-fm-5, luister, luister-10, Luister10new1, volkskrant-4 |
| Instruments | |
| Original Recording Format | |
| Producer | Tom Peeters |
| Recording Engineer | Tom Peeters |
| Recording location | Cumerakerk, Rhenen, Holland |
| Recording Software | Merging |
| Recording Type & Bit Rate | DSD64 |
| Release Date | June 15, 2016 |
Only logged in customers who have purchased this product may leave a review.
Reviews
There are no reviews yet.