ADES Asyla, Tevot, Polaris, Brahms

London Symphony Orchestra

20,9924,99
(3 press reviews)
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Original Recording Format: DSD 128
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An acclaimed conductor and pianist as well as a composer, Thomas Adès has outgrown his status as the wunderkind of the British scene and become one of the most imposing figures in contemporary music. For his LSO Live debut, he conducts all of his seminal ‘Trilogy’ works – Asyla, Tevot & Polaris – pieces that not only occupy a special place in his output, but in modern classical music as a whole. 

Tracklist

Please note that the below previews are loaded as 44.1 kHz / 16 bit.
1.
Asyla, Op. 17 - I.
05:50
2.
Asyla, Op. 17 - II.
04:54
3.
Asyla, Op. 17 - III. Ecstasio
06:35
4.
Asyla, Op. 17 - IV. Quasi leggiero
05:02
5.
Tevot
20:19
6.
Polaris (Voyage for orchestra)
13:30
7.
Brahms, Op. 21
05:05

Total time: 01:01:15

Additional information

Label

SKU

LSO0798

Qualities

, ,

Channels

Artists

Composers

Genres

,

Digital Converters

Horus

Editing Software

Pyramix

Mastering Engineer

Jonathan Stokes

Conductors

Instruments

Original Recording Format

Producer

James Mallinson

Recording Engineer

Jonathan Stokes, Neil Hutchinson

Recording location

Barbican London

Recording Software

Merging

Recording Type & Bit Rate

DSD128

Release DateMarch 3, 2017

Press reviews

Gramophone

‘This is an excellent recording all round, the the LSO responding superbly well to the many technical and expressive challenges posed in performing Adès’s orchestral music.’

Financial Times

‘The music is carried aloft by great, heaving cosmic waves through a universe glistening with heavenly sounds…These are technically challenging scores that take an orchestra to its limits. With Adès conducting, the London Symphony Orchestra reaches for the stars.’

The Guardian 5 out of 5

‘The three pieces do share extra-musical associations too – their titles evoke notions of safe havens and the ways of finding them – but what links them more importantly is the sheer mastery of their orchestral writing, as this recording from the Barbican shows so vividly.’

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