Shostakovich: Symphony No. 8

London Symphony Orchestra

20,9932,49
(1 press review)
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Original Recording Format: DSD 256
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Composed against a cataclysmic backdrop of Stalinist oppression and the Second World War, Shostakovich’s Eighth Symphony is a deeply affecting poem of suffering. The composer described it as “an attempt to reflect the terrible tragedy of war” and it contains some of the most terrifying music he ever wrote.

Here, Gianandrea Noseda conducts the London Symphony Orchestra with intensity and understanding, allowing the music to tell its own story as it travels from darkness into light, yearning more for peace than for victory.

One of the leading conductors of his generation, Gianandrea Noseda holds several high-profile international positions in addition to his role as Principal Guest Conductor of the London Symphony Orchestra, including Music Director of the National Symphony Orchestra in WashingtonDC. His previous releases on LSO Live include acclaimed interpretations of the Verdi Requiem and Britten War Requiem.

London Symphony Orchestra
Gianandrea Noseda, Conductor

Tracklist

Please note that the below previews are loaded as 44.1 kHz / 16 bit.
1.
Symphony No. 8 in C Minor, Op. 65 - I. Adagio - Allegro non troppo
25:34
2.
Symphony No. 8 in C Minor, Op. 65 - II. Allegretto
06:35
3.
Symphony No. 8 in C Minor, Op. 65 - III. Allegro non troppo
06:15
4.
Symphony No. 8 in C Minor, Op. 65 - IV. Largo
10:43
5.
Symphony No. 8 in C Minor, Op. 65 - V. Allegretto
16:01

Total time: 01:05:08

Additional information

Label

SKU

LSO0822

Qualities

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Channels

, ,

Artists

Composers

Genres

,

Mastering Engineer

Jonathan Stokes

Conductors

Instruments

Original Recording Format

Producer

Nicholas Parker

Recording Engineer

Neil Hutchinson

Recording location

Barbican, London on April 8, 2018

Recording Type & Bit Rate

DSD 256

Release DateOctober 16, 2018

Press reviews

Classics Today 5 out of 5

“up there with first-class accounts like those of Slatkin, Berglund, Wigglesworth, and Caetani. (…) Noseda succeeds in his own middle-of-the-road way right down the center. It’s not a Shostakovich of extremes, but the play between patience and tension—never more important than in this symphony—is adroitly executed and the sound is good for a Barbican release. Makes you look forward to their Fourth that is coming out soon.”

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