Musickes Sweetest Joyes

Mieneke Van Der Velden

16,9928,49
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Original Recording Format: DSD 64
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Musickes sweetest joyes ‘For now my soule delights in heavenly noyse of musickes sweetest joyes’* Because of the gentle melancholy which underlies the instruments sound, the viola da gamba was the instrument par excellence for the music which became fashionable in 17th-century England,.

Sadness was the prevailing tone in compositions of the period, as can be heard not only in many of the song texts (Go nightly cares, Like hermit poor) but also in the stately beauty of instrumental works like the Pavins. Fortunately, not all of the music of this period is gloomy or melancholy; many of the suites, with their light-footed dance movements, as well as folk song settings or grounds, provide a welcome contrast.

As you study the English repertoire, you are quickly overwhelmed by the vast quantity of glorious music written for the viola da gamba, and curiosity spurs you on to continue reading through new pieces. In England, the gamba was used in various ways and in all sorts of different combinations, so that the instrument’s possibilities and possibilities for tone color were put to their best use……

Tracklist

Please note that the below previews are loaded as 44.1 kHz / 16 bit.
1.
Prelude In D
01:42
2.
Divisions Upon A Ground
05:06
3.
A Pavin
05:34
4.
Coranto
01:19
5.
The Punckes Delight
02:18
6.
Cease Leaden Slumber
04:07
7.
Good Againe
05:31
8.
What Greater Griefe
02:47
9.
Suite In C Minor/Major - Fantazie
01:30
10.
Suite In C Minor/Major - Courant
01:17
11.
Suite In C Minor/Major - Fantazie
01:16
12.
Suite In C Minor/Major - Fantazie
01:46
13.
Suite In C Minor/Major - Saraband
00:52
14.
Prelude
01:06
15.
Go Nightly Cares
06:41
16.
(A Piece Without A Title)
01:39
17.
Coranto
01:23
18.
Lasso Vitta Mia
03:32
19.
Prelude In E
02:13
20.
Divisions Upon A Ground
07:46
21.
Like Hermit Poor
03:17
22.
A Polish Ayre
01:03
23.
Fain Would I Change That Note
01:41
24.
A Pavin
03:21
25.
Coranto
01:45

Total time: 01:10:32

Additional information

Label

SKU

21204

Qualities

, ,

Channels

, ,

Artists

Composers

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Genres

,

Cables

van den Hul T3 series

Digital Converters

Meitner A/D DSD / Meitner DA

Mastering Engineer

Jared Sacks

Mastering Equipment

B&W 803 diamond series

Microphones

Bruel & Kjaer, Schoeps

Mixing Board

Rens Heijnis custom design

Instruments

, , , ,

Original Recording Format

Producer

Jared Sacks

Recording Engineer

Jared Sacks

Recording location

Doopgezinde Kerk, Deventer The Netherlands 2004

Recording Software

Pyramix bij Merging

Recording Type & Bit Rate

DSD64

Speakers

Audiolab, Holland

Release DateFebruary 20, 2015

Press reviews

Financieel Dagblad

Wat zit er toch een leven in haar klank: nu eens koninklijk breed en trots, dan weer meisjesachtig en met schaamrood. Kortom geen moment saaiheid in deze anders toch zo kwetsbare muziek.

Tijdschrift Oude Muziek

Mieneke van der Velden maakte eerder al veel indruk met de twee cds met gambamuziek, op deze derde gaan we op bezoek in Engeland. Mieneke laat met haar ensemble deze muziek heerlijk gonzen. Daarbij doen de hemelse Johannette Zomer en de subliem met de gamba mengende Peter Kooij ook nog een paar fraaie vocale duiten in het zakje.

Diapason

Mieneke van der Velde allie une intense expressiviet un phrase toujours subtil. Sa sonorit plus discrete et fine que demonstrative installe potique tres convaincant

American Record Guide

The listeners will be beguiled by this, and the performances are beautiful.

Strings Magazine

Mieneke van der Velden has an elegant, reserved manner, and the ability to invest even the space around the notes with gentle beauty. The sound on this SACD is pristine pure with just the right touch of ambience, while the soloist’s brief liner notes display the same affection she lavishes so generously on her playing.

The Observer

Exquisitely played, with as much devotion to detail as technical mastery, here is period music to beguile many a modern mood swing.

Gramophone

17th-century English melancholy and despair beautifully delivered. (…) the honours go to Mieneke van der Velden, who plays with unfailing intensity and beauty of tone.

International Record Review

Mieneke van der Velden has a muscular, athletic manner of handling her instrument, producing a rich, big-boned sound.
Wisely for such intense repertory, the programme is broken up by some small lute solos, deftly played by Fred Jacobs, and songs with viol accompaniment. Two Downland songs are performed in rarely heard versions with descants and bass gamba parts of the composer himself. Fascinating variations on much-loved songs especially rewarding. Peter Kooy is among the foremost Bach interpreters of the day, a sensational singer of Hume and Lanier. Warmly recommended

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