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Read all about the experimental recording process in this Recording Report.
My Reel Club presents a unique music recording process: two alternative versions of live studio performances using the same recording chain in parallel. The comparative listening of the two versions is an exciting and thrilling experience. It allows audiences to transparently analyse the results of the two recordings with different technologies. By comparing the two versions, the listener can evaluate the capabilities of the device chain and loudspeakers at home, the accuracy of the spatial placement, the natural timbres and the quality of the sound field. Listeners will be able to understand how modern music production processes alter live sound.
Planets (The Original – Raw DXD Recording) is raw, live recorded, mixed without post-production, and digitised as the highest quality DXD digital stereo file. There was no mastering process at all. Maximum dynamics. The chain includes one of the top A/D converters (Merging Anubis ADC with external linear power supply, Pyramix recording software).
Planets (The Mastered) is the same live event as The Original – Raw DXD Recording, same analogue recording chain, but recorded in a more commercial multichannel way. In this version, a simultaneous microphone feed was transferred to a Pro Tools system using the same analogue chain in a typical multi-track configuration with 192 kHz 24-bit sampling, then enhanced in post-production by mastering engineer István Matók.
The works on the Planets album, written by composer/jazz guitarist Gábor Juhász, were inspired by long stargazing evenings during the Pandemic. His compositions reflect the ethereal, mystical and distant world of the planets and, simultaneously, the lonely genius of Copernicus: humanity’s restless, constant striving for further discovery. Gábor Juhász said that playing his new compositions in the studio, knowing that the music would be available to a broader audience without any editing or post-production, was an exciting task with a high level of responsibility. This recording was also a unique experience for world-famous saxophonist Tony Lakatos, who also highlighted the talent of Júlia Karosi and the “fantastic musicians of the trio”. According to Tony, the enchanting female voice represents the Venusian character of the planets.
Gábor Juhász Trio
Gábor Juhász – guitar
Zoltán Kovács – double bass
György Jeszenszky – drums
Julia Karosi – vocals
Tony Lakatos – saxophone
Tracklist
Please note that the below previews are loaded as 44.1 kHz / 16 bit.Total time: 00:48:01
Additional information
Label | |
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SKU | MRC22012_bundle |
Qualities | DSD 512 fs, DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, WAV 192 kHz |
Channels | |
Artists | |
Composers | |
Genres | |
Release Date | February 29, 2024 |
Planets (The Original - Raw DXD Recording)
Label | |
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SKU | MRC22011 |
Qualities | DSD 512 fs, DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, FLAC 192 kHz, FLAC 96 kHz |
Channels | |
Artists | |
Composers | |
Genres | |
Live Mixing & Balance Engineer | Istvan Matok |
Instruments | |
Original Recording Format | |
Recording Engineers | Istvan Matok (Digital Pro Studio) Laszlo Papp (LuXor Audio) Tamas Perczel (high-speed tape) |
Release Date | February 29, 2024 |
Planets (The Mastered)
Label | |
---|---|
SKU | MRC22012 |
Qualities | DSD 512 fs, DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, WAV 192 kHz, FLAC 192 kHz, FLAC 96 kHz |
Channels | |
Artists | |
Composers | |
Genres | |
Balance & Mixing Engineer | Istvan Matok |
Instruments | |
Original Recording Format | |
Post Digital Mixing & Mastering | Istvan Matok |
Recording Engineers | Istvan Matok (Digital Pro Studio) Laszlo Papp (LuXor Audio) Tamas Perczel (high-speed tape) |
Release Date | February 29, 2024 |
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