“The peacefulness and beauty that flows from this album is amazing!” – Bill Dodd, NativeDSD Senior Reviewer
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Magdalena Kožená presents a recital of Czech Orchestral Songs, together with the Czech Philharmonic under the baton of Sir Simon Rattle. The first impression of Czech songs may be atmospheric nature scenes, or stories about pretty peasant girls and village pranks, but the selection on this album demonstrates that the imagination of Czech song composers stretched far wider.
For example, Bohuslav Martinů’s Nipponari were inspired by Japanese culture, whereas his folksy Songs on One Page obtain a deeper meaning knowing that he wrote them in the US, having fled the Nazi threat. His colleagues and contemporaries Hans Krása and Gideon Klein did not manage to get away, and both died in concentration camps.
Krása’s German-language Four Orchestral Songs show a fascination with nonsense verse typical of avant-garde circles in the early 1920s. Klein’s Lullaby can be traced back to Jewish folk songs, yet its musical realization displays an openness to French musical styles. And no Czech song recital would be complete without good old Antonín Dvořák, whose Evening Songs and Songs, Op. 2 are included.
Many of these works are best known with piano accompaniment, but are presented here in orchestrations. The Czech Philharmonic and Sir Simon Rattle marvelously bring out all the colors, while Kožená once more showcases her mastery in vernacular song.
Magdalena Kožená, Mezzo-Soprano
Czech Philharmonic
Sir Simon Rattle, Conductor
Tracklist
Please note that the below previews are loaded as 44.1 kHz / 16 bit.Total time: 01:01:03
Additional information
Label | |
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SKU | PTC5187077 |
Qualities | DSD 512 fs, DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, FLAC 192 kHz, FLAC 96 kHz |
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Editing & Mastering | Jakub Hadraba |
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Original Recording Format | |
Recording Engineers | Jakub Hadraba & Filip Beneš |
Recording Location | Hall of the Rudolfinum, Prague, in November 2022 (Krása, Dvořák, Klein) and February 2023 (Martinů). |
Release Date | June 7, 2024 |
Press reviews
Classical Source
The sound is excellent. It was recorded in 24/96, but is available in DSD512. I listened to both and the lower resolution stream has plenty of body, definition, you can hear some of the Halls acoustic. And Kozena’s voice has plenty of presence. Turn to the DSD and the slightly more recessed image opens out, the acoustic is tangible and Kozena’s tone is more vibrant.
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