On The DSD Blues Bundle, three vocalists bring the power of the blues to DSD. In some of the best sounding blues recordings available.
The blues bundle features I Got The T-Bone Walker Blues by Roy Gaines on Groove Note, Live Acoustic Session by Little G Weevil, a Pure DSD 256 Stereo recording from Hunnia Records and Live At Jazzland by Hans Theessink from Sommelier du Son.
NativeDSD Bundles are a mini collection of DSD albums created by the NativeDSD team that brings the works of a special artist, music label or musical genre to your personal library. Better yet, when you buy all 3 albums in a bundle, NativeDSD gives you a special 30% OFF discounted price on the full bundle. Expanding your musical horizons and collection while saving money at the same time.
Each DSD Bundle is a music opportunity and adventure we urge you to explore.
Roy Gaines, Vocals & Guitar
Little G Weevil, Vocals & Acoustic Guitar
Hans Theessink, Vocals & Guitar
Additional information
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| Release Date | June 24, 2022 |
I Got The T-Bone Walker Blues
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| SKU | GRV1002 |
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| Mastering Engineer | Bernie Grundman (DSD 64), Tom Caulfield (DSD 128, DSD 256, DSD 512) |
| Awards | |
| Recording Type & Bit Rate | Analog |
| Recording Location | Ocean Way/Record One, Sherman Oaks, CA, August 11 & 12, 1998 |
| Recording Engineer | Michael C. Ross |
| Producer | Joe Harley |
| Notes | We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128, DSD 256 and DSD 512 releases are all pure DSD created. They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise. This results in the listener’s DAC using gentler and more phase linear filters for playback of the music. Please click the HRP logo for more information. |
| Microphones | AKG C-12, C-12A, KM 54 Neumann M-50, M-49, U-67, 251, U-47FET, Sony C55p, Shure 57 |
| Mastering Room | DSD 128, DSD 256 and DSD 512 Music Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA using the Signalyst Professional DSD Modulators |
| Executive Producers | Ying Tan and Sebastian Koh |
| Analog Recording Equipment | ATR-100 2 Track Tape Recorder with BASF 900 Tape @ 30 ips |
| Original Recording Format | |
| Instruments | |
| Release Date | May 4, 2018 |
Live Acoustic Session [Pure DSD]
| Label | |
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| SKU | HRES2106 |
| Qualities | DSD 512 fs, DSD 256 fs, DSD 128 fs, DSD 64 fs, FLAC 192 kHz, FLAC 96 kHz |
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| Original Recording Format | |
| Analog to Digital Converter | Hapi, Merging Technologies |
| Recording Location | Live Recording to Stereo DSD 256 at SuperSize Recording Studio in Hungary on February 21, 2021 |
| Producer | Robert Zoltan Hunka |
| Recording Software | Pyramix, Merging Technologies |
| Mastering Engineer | Tom Caulfield at NativeDSD Mastering Labs – Pure DSD Release produced in the DSD Domain with Signalyst HQ Player 4 Pro Mastering Tools |
| Recording Engineers | Gabor Halasz & Dexter |
| Instruments | |
| Release Date | March 24, 2021 |
Live At Jazzland
| Label | |
|---|---|
| SKU | sds0016 |
| Qualities | |
| Channels | |
| Artists | |
| Composers | Blind Blake, Chuck Berry, K. C. Douglas, Primerose, Rufus Thomas, Theessink, Traditional |
| Genres | |
| Mastering Engineer | Christoph Stickel and Dirk Sommer at MSM Studios, Munich, Germany (Original Recording), Dirk Sommer – Direct Analog to DSD 256 Stereo Transfer of the Analog Master Tape; Tom Caulfield at NativeDSD Mastering Lab – DSD 512, DSD 128, DSD 64 Stereo created with Signalyst HQ Player 4 Pro "EC" modulators |
| Recording Type & Bit Rate | Analog |
| Recording Location | Jazzland Jazz Club in Vienna, Austria on February 2, 2013 |
| Recording Engineer | Dirk Sommer and Birgit Hammer-Sommer |
| Producer | Dirk Sommer and Birgit Hammer-Sommer, Sommelier du Son in Cooperation with Fink Audio Consulting |
| Monitoring Room | Grapevine Headamp 4, Beyer Dynamic Headphones, Amphion Two 15 Speakers, Bryson 2B-LP Amplifier, PS Audio Power Plant |
| Microphones | AKG D7 (Vocals), Rode NT4 (Guitar), AKG Solid Tube (Front of Guitar Amp), Strand (Harp), Sennheiser MD 421-2 (Foot Tapping) |
| Original Recording Format | |
| Analog to Digital Converters | Playback Designs Pinot – Analog to DSD 256 Converter (DSD 256); Signalyst HQ Player 4 Pro "EC" modulators (DSD 256 to DSD 512, DSD 128, DSD 64 Transfers) |
| Analog Tape Recorders | Studer A810 Tape Recorders |
| Instruments | |
| Release Date | November 23, 2018 |
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