Here’s your chance to own all 3 of Groove Note’s True Audiophile DSD Samplers. An excellent introduction to the Analog and DSD recordings of Jazz, Soul, Pop, Vocal and Classical Music from the Groove Note Records catalog. Featuring tracks from these 12 vocalists and musicians:
Anthony Wilson
Bennie Wallace
Bill Cunliffe
Diana Krall
Eden Atwood
Jacintha
Jay McShann
Lauren White
Luqman Hamza
Roy Gaines
Skye
The Jung Trio
NativeDSD Bundles are a mini collection of DSD albums created by the NativeDSD team that brings the works of a special artist, music label or musical genre to your personal library. Better yet, when you buy all 3 albums in a bundle, NativeDSD gives you a special 25% Off discounted price on the full bundle. Expanding your musical horizons and collection while saving money at the same time. Each bundle is a DSD music opportunity and adventure we urge you to explore.
Additional information
| Label | |
|---|---|
| Release Date | December 9, 2021 |
True Audiophile: The Best Of Groove Note, Volume 1
| Label | |
|---|---|
| SKU | GRV1036 |
| Qualities | |
| Channels | 2ch Stereo, 5 Channel Surround Sound, 2ch Stereo & 5ch Surround |
| Artists | Anthony Wilson, Bennie Wallace, Bill Cunliffe, Eden Atwood, Jacintha, Luqman Hamza, Roy Gaines |
| Genres | |
| Cables | AudioQuest |
| Digital Converters | Sony Sonoma, EMM Labs Meitner ADC-8 |
| Executive Producers | Ying Tan and Sebastian Koh |
| Mastering Engineer | Bernie Grundman at Bernie Grundman Mastering, Dave Glasser at Airshow Mastering |
| Mastering Room | DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA |
| Microphones | AKG C-12, C-12A, C-24, KM 54, 451, 460, Neumann M-50, M-49, M-249, U-67, 251, U-47FET, Sony C55P, Shure 57, Sennhesier 441, 421, Llomo 919A-19, RCA 44, EV PL-20 |
| Notes | We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created. They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise.This results in the listener’s DAC using gentler and more phase linear filters for playback of the music. Recording Locations: Ocean Way Recording in Hollywood, CA, Record One in Sherman Oaks, CA, Cello Studios in Hollywood, CA, Castle Oaks in Calabasas, CA, Systems Two in Brooklyn, NY, Airborne Audio Productions in Kansas City, MO |
| Instruments | |
| Original Recording Format | |
| Producer | Joe Harley, Ying Tan |
| Recording Engineer | Michael C. Ross, John Sorenson, Joe Marciano |
| Recording Software | Sony Sonoma DSD Workstation |
| Recording Type & Bit Rate | Analog, DSD 64fs |
| Release Date | July 13, 2018 |
True Audiophile: The Best Of Groove Note, Volume 2
| Label | |
|---|---|
| SKU | GRV1045-3 |
| Qualities | |
| Channels | |
| Artists | Anthony Wilson, Bennie Wallace, Diana Krall, Eden Atwood, Jacintha, Jay McShann, Lauren White, Luqman Hamza, Roy Gaines |
| Composers | Anthony Newley, Artie Butler, Bertolt Brecht, Bob Hilliard, Cheryl Ernst, Don Black, Duke Pearson, Glenn Osser, Jay McShann, Jayme Silva, Jimmy Rowles, Joe Melson, Kenny Burrell, Kurt Weill, Leslie Bricusse, Lew Brown, Marc Blitzstein, Neuza Teixeira, Phyllis Molinary, Quincy Jones, Ray Henderson, Roy Orbison, Ruth Lowe, Skippa Hall, T-Bone Walker, Walter Brown |
| Genres | |
| Analog Recording Equipment | Ampex ATR-100 2-Track, Studer A-80 2-Track, BASF 900 Tape at 30 ips |
| Cables | AudioQuest |
| Digital Converters | EMM Labs Meitner ADC8, Sony |
| Executive Producers | Ying Tan and Sebastian Koh |
| Mastering Engineer | Bernie Grundman at Bernie Grundman Mastering, Dave Glasser at Airshow Mastering, Gus Skinas at Super Audio Center |
| Mastering Room | DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA |
| Microphones | AKG 414, 451, 460, C-12, C-12A, KM-S4 and "The Tube", EV PL 20, Llomo 19 and 19A, Neumann KM-84, M-49, M-50, M-80, M-149, 251, TLM-70, U-47FET and U-67, RCA 44, Royer 121, 122, Sony C55p, Sennheiser 441 and 421, Shure KSM 32, SM 7, SM 57, Telefunken 251 |
| Notes | We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created. They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise. This results in the listener's DAC using gentler and more phase linear filters for playback of the music. |
| Instruments | |
| Original Recording Format | |
| Producer | Joe Hartley, Ying Tan |
| Recording Engineer | Michael C. Ross, John Sorenson, Joe Marciano |
| Recording location | Cello Studios in Hollywood, CA, Oceanway/Record One Studios, Sherman Oaks, CA, Sunset Sound, Hollywood, CA, Systems Two, Brooklyn, New York, Airborne Audio Productions, Kansas City, MO |
| Recording Software | Sony Sonoma DSD Workstation |
| Recording Type & Bit Rate | Analog, DSD 64fs |
| Special Thanks | David Kawakami, Gus Skinas and Lon Neumann of the Sony Super Audio CD Project |
| Release Date | November 16, 2018 |
True Audiophile: The Best Of Groove Note, Volume 3
| Label | |
|---|---|
| SKU | GRV1048 |
| Qualities | |
| Channels | |
| Artists | Anthony Wilson Trio, Jacintha, Lauren White, Luqman Hamza, Roy Gaines, Skye, The Jung Trio |
| Composers | Antonin Dvorak, Antonio Carlos Jobim, Coleman Hawkins, DuBose Heyward, Fabian Andre, George Gershwin, Gus Kahn, Ira Gershwin, Jay Livingston, Jerome Kern, Jerry Goldsmith, Lauren White, Norman Gimbel, Otto Harbach, Ray Evans, Roy Gaines, Ruth Lowe, Vinicius De Moraes, W. White, Wilbur Schwandt |
| Genres | |
| Analog Recording Equipment | ATR-100 2 Track with BASF 900 Tape @ 30 ips, Studer A-80 2 track |
| Cables | AudioQuest |
| Digital Converters | EMM Labs Meitner ADC-8, Sony |
| Editing Software | Sony Sonoma DSD Workstation |
| Executive Producers | Ying Tan and Sebastian Koh |
| Mastering Engineer | David Glasser, Airshow Mastering, Bernie Grundman at Bernie Grundman Mastering |
| Mastering Room | DSD 128 and DSD 256 Download Files Created by Tom Caulfield at the NativeDSD Mastering Lab, Marshfield, MA |
| Microphones | AKG C-12, C-12A, C-24, KM 54, The Tube, Llomo 919A-19, Neumann KM-84, M-49, M-50, M-149, M-249, TLM-70, U-47, U-47FET, U-67, RCA 44, Royer 121, 122, Sennheiser 441, 421, Sony C55p, Shure KSM 32, SM 57, Telefunken 251 |
| Notes | We are pleased to announce the availability of Groove Note releases in DSD 128 and DSD 256, in addition to the original DSD 64 releases. These higher bit rate DSD 128 and DSD 256 releases are all pure DSD created. They are not up samplings, for there are no PCM or DXD conversions involved in their production. They are re-modulations of the original DSD 64 encoding modulation that produced the DSD 64 releases. The sonic advantage to these new Stereo and Multichannel DSD 128 and DSD 256 releases, as with all higher DSD bit rate releases, is the wider frequency passband prior to the onset of modulation noise.This results in the listener’s DAC using gentler and more phase linear filters for playback of the music |
| Instruments | |
| Original Recording Format | |
| Producer | Joe Hartley, Ying Tan |
| Recording Engineer | Michael C. Ross, Scott Sedillo, Assistant Engineers: Greg Burns, Bill Mims, Pete Magdeleno |
| Recording Locations | Airborne Audio Productions, Kansas City, Mo, Gower Hall, Ocean Way Recording Studios, Hollywood CA, OceanWay/Record One, Sherman Oaks, CA, Sunset Sound, Hollywood, CA |
| Recording Software | Sony Sonoma DSD Workstation |
| Recording Type & Bit Rate | Analog, DSD 64fs |
| Release Date | April 24, 2019 |
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