Viriditas

Sibil•la Ensemble

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Original Recording Format: DSD 256
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Sibil•la Ensemble draws inspiration from the Sibyls, the female prophetesses who have captivated the human imagination from ancient pagan times to the medieval era and Renaissance. Sibyls were revered across cultures for their divine insights and prophecies. They were seen as conduits between the mortal realm and the divine, shaping the spiritual beliefs of Western civilizations throughout history.

The mystical concept of Viriditas is originating from the theological writings of the German Benedictine abbess, composer, philosopher, mystic, and polymath Hildegard von Bingen, ‘Sibyl of the Rhine’. Hildegard was known for her ability to commune with the divine and derive insights from nature. In Hildegard’s philosophy, Viriditas symbolises the vibrant, life-giving energy that permeates the natural world and the essence of greenness and flora. This divine force, both physical and spiritual, was believed to be experienced in moments of ecstatic connection, where the boundaries between humanity and nature blur.

These 12th and 13th century chants and secular songs from Germany, Spain, France and Cyprus are centred around the concept of Viriditas. Each one is a tribute to the generative power of nature that the Sybils embodied, celebrating its rhythms, cycles, and eternal harmony.


Sibil•la Ensemble
Kristia Michael voice, gothic harp
Andrew Hopper voice, vielle, cittern, rebec
Marguerite Maire recorder
Jeremy Bass medieval lute
Ivan Gianakis percussion
Sanne van Gend hurdy-gurdy

Tracklist

Please note that the below previews are loaded as 44.1 kHz / 16 bit.
1.
O virtus Sapientiae
04:22
2.
Cantigas de Santa Maria: Gran poder a de mantar
02:45
3.
Cantigas de Santa Maria: Rosa das Rosas
04:28
4.
El Misteri d'Elx: O Arbre Sanct
07:06
5.
Percussion improvisation
03:01
6.
O nobilissima viriditas
05:23
7.
Song of Klidonas
04:18
8.
Parakalo tin Panayia
04:14
9.
Recorder improvisation
04:08
10.
Ce fut en mai
04:09
11.
Karitas habundat
08:17

Total time: 00:52:11

Additional information

Label

SKU

TTK0120

Qualities

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Artists

Composers

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AD/DA Conversion

Merging Technologies Hapi MkII Merging Technologies Anubis Grimm Audio CC2

Cabling

Purecable Optimus Link Microphone Cables Purecable Optimus Power Purecable Prime DIG75 Wordclock Cable

Mic Preamps

Grace Design m801mk2

Microphones

Josephson C617 w/ Gefell MK221 capsules (main) DPA 4006A (height) Sonodore MPM-91 (soprano) Ehrlund EHR-M (baritone, vielle, percussion, lute) DPA 4015A (flute)

Monitoring

Recording: Audeze LCD-X Mastering: Grimm Audio LS1be, Grimm Audio SB1

Instruments

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Original Recording Format

Recording Location

Westerkerk, Enkhuizen (NL)

Release DateMarch 26, 2024

Press reviews

Positive Feedback

This is a captivating album of hauntingly ethereal, mystical music… Whether one wishes to engage in the philosophical musings underlying the texts of this collection of 12th and 13th-century chants and secular songs, the music is pure medieval wonderfulness. Performed on voice and a host of instruments of the medieval period (Gothic harp, vielle, cittern, rebec, medieval lute, hurdy-gurdy, and percussion), the album is an aural delight constantly titillating ones aural senses…

If you enjoy early music and the playing of instruments of that period, this is an album that should be a must buy on your list of future acquisitions. If you enjoy a bit of the mystical with your rebec, all the better!

Plus, the performances are gorgeously captured by TRPTK’s masterful recording engineer Brendon Heinst.

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